By Theodore Ziolkowski
Beginning with the resurgence of Crete within the smooth cognizance in 1900 following the excavations of Sir Arthur Evans, Theodore Ziolkowski exhibits how the story of Europa-in poetry, drama, and artwork, but in addition in cartoons, advertisements, and currency-was at first seized upon as a narrative of sexual awakening, then as a car for social and political satire, and at last as an emblem of ecu harmony. In contast, the minotaur supplied artists starting from Picasso to Dürrenmatt with a picture of the artist's feel of alienation, whereas the labyrinth recommended to many writers the threatening sociopolitical global of the 20th century. Ziolkowski additionally considers the jobs of such sleek figures as Marx, Nietzsche, and Freud; of tourists to Greece and Crete from Isadora Duncan to Henry Miller; and of the theorists and writers, together with T. S. Eliot and Thomas Mann, who hailed using fantasy in sleek literature.
Minos and the Moderns concludes with a precis of the manners during which the commercial, aesthetic, mental, and anthropological revisions enabled accurately those myths to be taken up as a replicate of contemporary realization. The ebook will entice all readers drawn to the classical culture and its carrying on with relevance and particularly to students of Classics and sleek literatures.
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Minos and the Moderns considers 3 mythological complexes that loved a different surge of curiosity in early twentieth-century ecu paintings and literature: Europa and the bull, the minotaur and the labyrinth, and Daedalus and Icarus. All 3 are located at the island of Crete and are associated by means of the determine of King Minos.
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Additional info for Minos and the Moderns: Cretan Myth in Twentieth-Century Literature and Art (Classical Presences)
Minos and the Moderns: Cretan Myth in Twentieth-Century Literature and Art (Classical Presences) by Theodore Ziolkowski