By Lee Marshall
'Bootlegging is a great, provocative and hugely readable research of the excessive concept and coffee practices of track copyright and its transgressors. it really is such a lot fresh to learn a sociological research of a subject often left to attorneys and apologists. a necessary ebook for somebody who desires to comprehend the modern track industry'
Simon Frith - Professor of movie and Media reviews, collage of Stirling.
Bootlegs - reside live performance recordings or studio outtakes reproduced with out the permission of the rights holder - carry a well known place within the pantheon of renowned track. also they are a lot misrepresented and this interesting publication constitutes the 1st complete size educational therapy of the subject.
By reading the centrality of Romantic authorship to either copyright and the tune undefined, the writer highlights the mutual dependence of capitalism and Romanticism, which situates the person because the key artistic strength whereas not easy the commodification of paintings and self.
Marshall finds how the will for bootlegs is pushed through a similar beliefs of authenticity hired via the valid in its copyright rhetoric and perform and demonstrates how bootlegs exist as an opposed yet useful section of an that does a lot to avoid them.
This ebook should be of serious curiosity to researchers and scholars within the sociology of tradition, social thought, cultural reports and law.
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Additional resources for Bootlegging: Romanticism and Copyright in the Music Industry (Published in association with Theory, Culture & Society)
Bootlegging: Romanticism and Copyright in the Music Industry (Published in association with Theory, Culture & Society) by Lee Marshall